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Soprano

Marta Ustyniak-Babińska

Marta Ustyniak-Babińska is an artist whose voice enchants with brilliance, subtlety, and lightness, while at the same time moving listeners with its depth and dramatic power. A distinguished graduate of the Vocal Department at the Feliks Nowowiejski Academy of Music in Bydgoszcz, where she studied under Professor Katarzyna Nowak-Stańczyk, she has captivated audiences from the very first steps of her career with natural musicality and remarkable stage charisma.

She made her debut at the Musical Theatre in Poznań and at Opera Nova in Bydgoszcz, where she portrayed Franzi in Johann Strauss’s Vienna Blood. Since then, she has steadily built her artistic path, winning awards and distinctions in vocal competitions and winning the hearts of opera lovers.

As a soloist of Opera Nova in Bydgoszcz, she has created a wealth of unforgettable roles. Her Adina in Donizetti’s L’elisir d’amore dazzles with charm and humor, while Musetta in Puccini’s La bohème radiates unrestrained temperament and seductive freedom. In Rossini’s Il barbiere di Siviglia, her Rosina shines with wit and youthful vitality, whereas as Susanna in Mozart’s Le nozze di Figaro she reveals both sparkling comedy and lyrical subtlety.

Her Adele in Strauss’s Die Fledermaus and Arsena in Der Zigeunerbaron are full of vitality and stage verve, while Despina in Mozart’s Così fan tutte delights with mischievous humor and clever charm. As Valencienne in Lehár’s Die lustige Witwe, she unveils delicacy and elegance, while Pergolesi’s Serpina in La serva padrona shows her spirited character and theatrical wit. Her Norina in Donizetti’s Don Pasquale embodies the full scope of her artistry – brilliant, graceful, and infused with unmatched musicality.

Each of Marta Ustyniak-Babińska’s performances bears the mark of uniqueness – a fusion of sensitivity and natural stage temperament, of vocal lightness and dramatic intensity. Her voice, like a luminous instrument, guides the listener through a kaleidoscope of emotions: from laughter and joy, through subtle charm, to deep poignancy. In her interpretations, the music of Mozart, Donizetti, Rossini, Puccini, and Strauss flourishes with renewed brilliance and a fresh, distinctive color.